Logic List Mailing Archive

7th evoMUSART: Computational Intelligence in Music, Sound, Art, & Design

4-6 Apr 2018
Parma, Italy

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Second Call for papers for the 7th EVOMUSART conference
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This year some papers from Evomusart will be selected for a
new Springer book titled ?The handbook off Artificial intelligence
and the Arts? edited by Juan Romero, Penousal Machado and Gary Greenfield.

The 7th International Conference on Computational Intelligence in
Music, Sound, Art and Design (evoMUSART) will be held in Parma in 4-6
April 2018, as part of the evo* event. The main goal of EvoMusArt is
to bring together researchers who are using Computational Intelligence
techniques for artistic tasks such as visual art, music, architecture,
video, digital games, poetry, or design. The conference gives
researchers in the field the opportunity to promote, present and
discuss ongoing work in the area.


Important dates:
Submission: 1 November 2017
Notification to authors: 3 January 2018
Camera-ready deadline: 15 January 2018
Evo*: 4-6 April 2018

We welcome submissions which use Computational Intelligence techniques
(e.g. Evolutionary Computation, Artificial Life, Machine Learning,
Swarm Intelligence) in the generation, analysis and interpretation of
art, music, design, architecture and other artistic fields.
Submissions must be at most 16 pages long, in Springer LNCS format
(instructions downloadable from
http://www.springer.com/computer/lncs?SGWID=0-164-6-793341-0). Each
submission must be anonymised for a double-blind review process and
submitted to http://myreview.csregistry.org/evomusart18/ (which should
be online soon). The deadline for submission is 1 November 2017, and
acceptance notification on 3 January 2018. Accepted papers will be
presented orally or as posters at the event and included in the
evoMUSART proceedings published by Springer Verlag in a dedicated
volume of the Lecture Notes in Computer Science series.

Topics of interest include, but are not limited to:
Generation:
* Systems that create drawings, images, animations, sculptures,
poetry, text, designs, webpages, buildings, etc.;
* Systems that create musical pieces, sounds, instruments, voices,
sound effects, sound analysis, etc.;
* Systems that create artifacts such as game content, architecture,
furniture, based on aesthetic and functional criteria.
* Robotic-Based Evolutionary Art and Music;
* Other related artificial intelligence or generative techniques in
the fields of Computer Music, Computer Art, etc.;

Theory:
* Computational Aesthetics, Experimental Aesthetics; Emotional
Response, Surprise, Novelty;
* Representation techniques;
* Surveys of the current state-of-the-art in the area; identification
of weaknesses and strengths; comparative analysis and classification;
* Validation methodologies;
* Studies on the applicability of these techniques to related areas;
* New models designed to promote the creative potential of
biologically inspired computation;

Computer Aided Creativity and computational creativity:
* Systems in which computational intelligence is used to promote the
creativity of a human user;
* New ways of integrating the user in the evolutionary cycle;
* Analysis and evaluation of: the artistic potential of biologically
inspired art and music; the artistic processes inherent to these
approaches; the resulting artefacts;
* Collaborative distributed artificial art environments;

Automation:
* Techniques for automatic fitness assignment
* Systems in which an analysis or interpretation of the artworks is
used in conjunction with computational intelligence techniques to
produce novel objects;
* Systems that resort to computational intelligence approaches to
perform the analysis of image, music, sound, sculpture, or some other
types of artistic object or resource.

More information on the submission process of evoMUSART 2018 can be
found at http://www.evostar.org/2018/cfp_evomusart.php
Past Evomusart papers can be found http://evomusart-index.dei.uc.pt/

We look forward to seeing you in Parma in 2018!

The evoMUSART 2018 organisers
Juan Romero
Antonios Liapis
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